Nino Rota: Sinfonia Sopra Una Canzone D'Amore / Concerto-Soirée For Piano And Orchestra di Massimo De Bernart

Album

Nino Rota: Sinfonia Sopra Una Canzone D'Amore / Concerto-Soirée For Piano And Orchestra

Massimo De Bernart

Riproduci su Napster

Album

Nino Rota: Sinfonia Sopra Una Canzone D'Amore / Concerto-Soirée For Piano And Orchestra

Massimo De Bernart

Riproduci su Napster
Rilasciato:
Etichetta: Arts Productions Ltd
Nino Rota wrote this Sinfonia (Symphony on a love song) as a piano score in 1947 for the concert hall but used parts of it in two films, 1949's The Legend of the Glass Mountain and 1962's Il Gattopardo. The first performance of the work was in 1972, but the pulsating romantic bravado is surely from that earlier post-War period. The final two movements are some of his best writing – full of smoldering moments and bold, inventive melodies that made him an anachronism in the classical field but an innovator among film composers.

Informazioni sull'album

Nino Rota wrote this Sinfonia (Symphony on a love song) as a piano score in 1947 for the concert hall but used parts of it in two films, 1949's The Legend of the Glass Mountain and 1962's Il Gattopardo. The first performance of the work was in 1972, but the pulsating romantic bravado is surely from that earlier post-War period. The final two movements are some of his best writing – full of smoldering moments and bold, inventive melodies that made him an anachronism in the classical field but an innovator among film composers.

Brani

Informazioni sull'album

Nino Rota wrote this Sinfonia (Symphony on a love song) as a piano score in 1947 for the concert hall but used parts of it in two films, 1949's The Legend of the Glass Mountain and 1962's Il Gattopardo. The first performance of the work was in 1972, but the pulsating romantic bravado is surely from that earlier post-War period. The final two movements are some of his best writing – full of smoldering moments and bold, inventive melodies that made him an anachronism in the classical field but an innovator among film composers.

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